After discovering a Sasquatch in the Smoky Mountains, park rangers Robert and Sam find themselves in over their heads when tech giant Alphazon plans to destroy its habitat. With no real authority and even less of a plan, they decide to relocate the creature themselves, driving it cross-country to the Pacific Northwest. Watch as Robert and Sam try to do one small, wildly impractical good thing.
Apatow’s latest film, The King of Staten Island, is no different. The movie tells the story of Scott (Pete Davidson), the 24-year-old son of a deceased firefighter who passed away when Scott was 7
It’s 2021 and what few LGBTQ+ films that are produced by major film studios continue to star cisgender heterosexual actors, rather than actual LGBTQ+ people.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
Every movement becomes a question of identity. To become who we are meant to be. In order to reach that we often have to shed who we once were, and that shedding can sometimes be so brutal it’s ungraceful.
