USSR, 1979. A guy meets a girl at a party. The girl is a hairdresser, the guy helps his father at a meat-processing plant. Soon a son is born and the couple become a family. The beginning of 2004. The boy has grown into a lyric poet but, nevertheless, follows the father’s footsteps and works at the meat-processing plant. A reflection on happiness gets him into a dead end, from which, apparently, there is no way out. But here in his life enters the accountant Liubov, or Love, and there comes the time of the wedding…
Yes, "Nope" is definitely about the modern obsession with turning tragedy and horror into a spectacle for people’s enjoyment. But it's also about the power of looking, who has the right to look, and what happens to those who are looked upon.
John Fawcett’s "Ginger Snaps" intertwines the lore of the werewolf to the hellish experience of a young girl going through puberty.
The power to function. As people, we are richly blessed to have the wide ranging scope of what we can accomplish…physically and mentally…that aid in everything we desire to strive for and, ideally, accomplish. However, what if someone was experiencing daily life with these elements….only in a more muted manner?
Eternals is an interesting concept and unique visuals, but slow pacing and rushed character development suggests it should have been a mini-series.
Few movies deal with aging (particularly aging women) with as much compassion as Relic does. Yet it’s not sickly sweet and not a soapbox rant against ageism. Relic simply is, allowing the horror to seep in quietly and carefully.
