Suzuki Sora is a cheerful country girl from the small town of Bie. She made a promise to her father, and following this promise applies and is accepted for a magic intership in Tokyo, where she will face the life in a big city. While training to get better with her magic, she meets a mysterious boy also practicing to become a mage. While he can not use magic that well and he seems distant and cold at first, Sora’s fate intertwines with his and the two are thrown together, learning a lot of new things about life and each other.
But what many do not know is that in 2019, a Wonder Woman film was released that had all of the positive qualities of WW84, and remedied many of the negative ones. Wonder Woman: Bloodlines, a direct-to-video animated movie in the DC Animated Movie Universe, perfectly balances the campiness and seriousness of the character.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
Director Martin Scorsese broadens his boundaries from mafia-driven movies, to a Buddhist biopic of the 14th Dalai Lama. While Buddhism strives for peace, ‘Kundun’ reveals the violence inflicted on Tibetan Buddhists and Scorsese’s depiction of violence does not stray away.
The sequel to the 2021 remake of the same name continues from where we last left off in this spooky adventure.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
