Mustang Pete receives a letter from his daughter, Sophie, who is away at boarding school, asking permission to bring some girls home with her to spend their vacation. Mustang flatly refuses. That afternoon he and Slippery Slim have a fight over a checker game, and to get "square" Slim advertises the fact that he will pay his ranch hands double the salary that Mustang will pay. As a result Slim gets all of Mustang's helpers. Mustang then writes to Sophie and tells her to bring home the girls if she cares to. The girls arrive the following day and Mustang has an abundance of help, all of Slim's helpers deserting him.
So. You’ve been quarantined. For many of us in the midst of the coronavirus outbreak, we find ourselves locked in our houses, with not much to do. Here's a list of 19 movies you can catch up on!
Christopher Nolan transforms Homer's ancient epic into one of the most breathtaking cinematic spectacles of his career. While its nonlinear storytelling and exposition occasionally hold it back, The Odyssey is a visually stunning, emotionally resonant blockbuster that demands to be seen on the biggest screen possible.
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
Yeah, sure, the movie’s about Carnage. But it’s really about love. A love that defies all odds: the love between a man and his man-eating alien symbiote.
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.
