Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

The challenging daily routine of Ceará-born jockey Antonio Davielson and his family living in a foreign country on the other side of the planet.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
With a quirky outline, Project Hail Mary stays within the bounds of human language and imperial fantasy.
"Thunder Road" presents the grief that comes from a family member taking their own life.
At 2:17 a.m., every child in a third-grade class wakes up, leaves their home, and disappears into the darkness—except one. The next day, teacher Justine Gandy discovers that Alex Lily is the only student left, while the rest have vanished without a trace. Did Justine have something to do with it, or is a far more sinister force stalking the town, targeting not just children, but anyone in its path?
Shakti’ is a survival guide for women all over the world.
An unlikely friendship changes the hearts of men, and helps a young boy come into his own.