An extremely wealthy elderly man dying from cancer undergoes a radical medical procedure that transfers his consciousness to the body of a healthy young man but everything may not be as good as it seems when he starts to uncover the mystery of the body's origins and the secret organization that will kill to keep its secrets.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
Despite its aggressiveness, the Beef anthology series is about romantic love in all its forms. The final scene of the first season led us to believe that, despite the conflict, drama, and toxic traits, the main characters would end up together and, most likely, live happily ever after. The whole “beef” plot was the prelude to their love story.
“Nobody 2” is the kind of sequel you expect to roll your eyes at—and then end up grinning through the whole thing. Bob Odenkirk proves once again that an ordinary-looking guy can be the most entertaining action hero alive, battling cartels with harpoons, deep fryers, and pure chaos. Toss in Sharon Stone as a delightfully over-the-top villain, and you’ve got 89 minutes of wild, joyful mayhem that reminds you why going to the movies is just plain fun.
Masterful satire that shines a light on the struggles of Black creatives.
Suppressed intergenerational family trauma and healing, warm welcome to the Marvel Cinematic Universe team, and Awkwafina's humor really make this film the real MVP.
