Sofia Coppola’s ‘On the Rocks’
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.

In 2002, over 300 bodies were discovered on the property of the Tri-State Crematory in the Appalachian foothills of northwest Georgia, thrusting an unassuming, tight-knit community into the international spotlight. SAHKANAGA (meaning “Great Blue Hills of God” in Cherokee, pronounced “sock-uh-nogga”) imagines this event from the perspective of Paul, a teenager who stumbles upon the first body. Matters are further complicated by his father’s ownership of the local funeral home and the arrival of Lyla, a beautiful stranger whose recently deceased grandfather is the first corpse that Paul finds.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
In season 2 of “Never Have I Ever," Devi make many mistakes in a messier season that explores the complex lives of its diverse cast more in-depth than before.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
"Up" features one of Pixar's few Asian-American heroes and explores the institutionalized hardships elderly people face. Also, Dug is a good boy.
When the retelling of the Cinderella fairy tale and a holiday spirit come together, viewers learn about class issues as well as perseverance despite setbacks.
Director and writer, Miles Marti, brilliantly created a film that captures the story of a kid that learns a new reality all within the walls of her classroom. Tears Of Knowing lightly steps into the devastation of loss through a childhood lens, and presents a perspective that is not often acknowledged. Though grief and loss are important aspects, the film also showcases excellent portrayals of trust, innocence, and naivety.