Salim and Alì, two Nigerian brothers, work in a tomato field managed by Fulvio, a violent and racist corporal. Alì, as opposed to Salim, lives a life which goes over the legality. One day, Fulvio commands the two brothers to deliver a drug shipment to a notorious local criminal, but on the return something goes wrong. The corporal's son, Vincenzo, will help Salim to escape his father's brutality.
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.
"THANK YOU, Zach Creggar!" Back in 2022, this now established star in the horror film genre gave us the quirkily creepy, unexpectedly funny (at times!) cinematic gem that was "Barbarian". It felt like a cool breeze just washed over us as, for ONCE, the much traversed roads these films tend to go with got an upgrade of uniqueness without sacrificing the ambiance of uneasiness you desire.
Rules are nowhere to be seen in the harsh unfiltered reality of ‘Fair Play.’
White audiences saw Peola’s mixed-race passing as a Black woman’s struggle to be white. Black audiences saw it as the rebellion of a Black woman trying to gain privileges only given to white people.
