A terror is stalking the land: people are disappearing daily, their bodies appearing covered in savage gashes coupled with precise surgical cuts. The legend of the 'Werewolf of Allariz' spreads across the land like wildfire. When Barbara (Elsa Pataky) falls in love with travelling vendor Manuel Romasanta, she is at first besotted with him - but soon begins to be suspicious of him. What has happened to her sister, who - after being escorted by Romasanta to the city - seems to have disappeared forever.
Ever heard of the bad boy type? The type of man who's sexy yet broody, or the type of man who’s dangerous but has a sensitive side? It’s a well-known stereotype that women are attracted to villains. The question is: why are we?
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
A boy named Max experiences adventure within his own house while staying home alone.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
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The plot lags, the moral lessons are misguided, but are those fluffy little donut creatures adorable? Yes. Yes, they are.
