‘The World to Come’ Movie Review: A Stunning Period Romance
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.

Exotic adventure drama juxtaposing feudal pleasures with a new world imagery represented by American modernity. Heroine Chandrakala (Nurjehan), daughter of the dewan of a native king, is educated in England and lives in America. She refuses to marry the prince of her ancestral state, an insult that causes her father to be dismissed. She makes amends by disguising herself as a man and becoming the prince’s secretary. A noted sequence set in America features an Indian pilot, Premsingh, who loves Chandrakala and offers to fly her entourage back to India in a Zeppelin, but a mid-flight drama forces the passengers to parachute to safety.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
This is a movie that combines a ghost story, revenge tale, and serial killer obsession into a cinematic experience that uses your fears against you.
The Suicide Squad's Polka-Dot Man aka Abner Krill, played by David Dastmalchian, helped me come to terms with my own issues of anxiety.
All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for this film: In space no one can hear you snore.
At first glance, “The Good Liar” is a respectable piece of fiction, starring Ian McKellen and Helen Mirren. But underneath everything, the film expertly hones the unpredictability of deceit.