"Queen & Slim" Needs a Trim
Queen & Slim is a nice example of representation in both cast and crew

In order to find a cure for Hei Yanjing's worsening eye disease, Xie Yuchen leads a team into the Trojan jungle. Hei Yanjing learns that the team is in danger and immediately comes to their rescue. However, he discovers that in the underground palace of Nanyue deep beneath the mountain seam is Nagas, a huge monster regarded as an ancient god.
Queen & Slim is a nice example of representation in both cast and crew
You can’t talk to my grandpa about The Sopranos. You can’t talk to him about The Godfather either. Merely by bringing up the subject, you’d be treated to a lecture on how movies and TV want you to believe that all Italians are criminals and mobsters. He won’t watch any of it, in protest.
The quiet ache of guilt sitting at the dinner table, the silence after a truth is buried, and the way pain is passed down like a name.
Disney has a glaring and, up until recently, unaddressed issue that spans nearly its entire lifetime - an absence of diversity.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
White audiences saw Peola’s mixed-race passing as a Black woman’s struggle to be white. Black audiences saw it as the rebellion of a Black woman trying to gain privileges only given to white people.