What We Do in the Shadows (of Our Closet Walls)
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.

The artists of the collective As Talavistas, and Gabriela Luíza, join the artists Duca Caldeira, Dyony Moura, Jô Arllen and Vidrynha and design studio and method of filming inside a house. Two years later, SESSÃO BRUTA returns to exchange and immerses itself in a filmic game with fiction and narrative, with jokes and criticism, with close-ups and intimacy, with the presence and the remote. Cinema, culture are things taken as a perspective of link, claim, painting and stage. Refounding the scene as an idea and process, and its political and plastic implications.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.
Not every silence is empty. Some are filled with things too heavy for words.
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