“You Can See Everything” and it’s a Lot
This glimpse into this world is so captivating that it is an easy must-see, nearly flawless, and exceptional in every way.

In Torino, a bittersweet crowd is bringing its own belongings to a pawn shop, waiting for a ransom or the final auction. Between the thousands of faces that tell the human inventory of the crisis, three stories intertwine unconsciously in the thin line of moral debt. Sandra, a young trans, in order to escape her past sells her fur coat. Her gaze will cross Stefano’s, a novice who just started working at the bank, and who drags her towards a tender obsession. Michele, a retired porter, asks for a loan to a family member, who will turn out to be fatally the wrong person to ask a favour from.
This glimpse into this world is so captivating that it is an easy must-see, nearly flawless, and exceptional in every way.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
This Netflix series is a remake based on the book series of the same name with a more diverse main cast.
Miley Cyrus shares her struggles as a songstress with a young audience, all while staying upbeat for the Disney brand.
One of the reasons I love watching movies is that, much like books, they serve as windows into other times and different places. Productions from around the world offer valuable insights into the history and culture of their respective countries. And just like literature, cinema can help us understand the present by showing us the past.