The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

Isabelle Blanc, a 30 years old biologist who works at the university, awakes in an hospital and doesn't remember why she is in the hospital.Little by little the doctor explains her that she had an accident driving by night under the rain and that accident provoked the death of a person.After her work Isabelle met her companion Vincent and then went alone by car: Vincent called her by cell phone, they spoke about their future and Vincent wanted that Isabelle listens to to a song; then came the crash.After going with Vincent to the place of the accident (where she saw a bouquet of flowers for the dead person) Isabelle reads in the newspaper the death notice of Marie Delhomme.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
In Amazon’s new shark flick, The Devil’s Mouth, terrible tourists finally get their comeuppance while two estranged best friends must overcome their petty squabbles to survive as the rest of their party gets chomped one by one. While it’s by no means an Oscar winner, The Devil’s Mouth is good old fashioned shark week carnage with a tourist critical twist, perfect with popcorn, a friend, and a healthy does of schadenfreude.
It’s been five months since Wayward premiered on Netflix and it still has some of us in a choke-hold.
This coming-of-age movie discusses immigration issues in the United States through the eyes of two exchange students in Brazil.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch