The Burden of History and the Phenomenal Women of “Miss Juneteenth”
A complex, realistic, and loving mother-daughter relationship is at the heart of this story about Black pageants and the fight for a better future.
Onyx
Bruno lives a psychological drama arising from a strange affecting connection with his grandfather, a former political prisoner in the 70's. Near his house, he meets Caio, a troubled man who doesn't accept his own essence. The encounter becomes intense and sensitive as both expose their weaknesses, memories and melancholy.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Bruno lives a psychological drama arising from a strange affecting connection with his grandfather, a former political prisoner in the 70's. Near his house, he meets Caio, a troubled man who doesn't accept his own essence. The encounter becomes intense and sensitive as both expose their weaknesses, memories and melancholy.
Cast
Articles You May Like
“After We Collided" Is As Much Of A Train Wreck As You Might Expect
After We Collided is a sequel to last year’s After, which itself was based on Anna Todd’s 2014 novel of the same name, and which was originally published as a Harry Styles-centric fan-fiction on WattPad (a similar path as E.L. James’ Fifty Shades of Grey series).
Queer Friendship is Complicated in "Lakeview" (2024)
Tara Thorne’s film is equal parts emotional and comedic, illustrating the beauty and the pain of long term relationships.
'Meshes of the Afternoon' Enters the Realm of Sci-Fi
Many have interpreted Maya Deren’s Meshes of the Afternoon as a dream sequence, but what if the repetitive scenes we are given are not dreams but, a time loop.
Last Christmas: Emilia Clarke Stopped Eating Hearts and Decided to Win Them.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.
Polarizing Polar: An Exploitation Film For the Modern Viewer
In the shadow of towering film production companies lived dozens of grindhouses, genres, and low-budget films deemed too “unclean” for the modern film audience.