
First fully-realized video work from Sean McCann, circa late 2008. A sensory overload of aquatic and galactic collages, a surreal journey. Featuring an original soundtrack, recorded following the Midnight Orchard sessions - quite mesmerizing and peaceful.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
My Beautiful Laundrette is often referenced as a positive LGBTQIA+ film because our two main characters are in a homosexual relationship with no shame, fear of violence or criticism. The struggle is not their sexuality. It is the treatment of the Pakistani citizens in England.
There’s been a longstanding criticism of sci-fi films about its lack of Black characters. For the past few years, Anthony Mackie has been successfully representing Black masculinity in the otherwise homogenous genre and I am here for it.
A throwback to the last months of the 20th century in this comedy film.