I'm Going to be Late
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.

Touching and thought-provoking documentary western about a likable man who tries to live out his life's calling online as he feels outside the norms of non-digital society.
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.
A family drama is woven with quiet yet powerful forces of words and nature.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
A trio of girls form a band and enter a singing competition together after learning they work best as a team.
Monster's plot is built around Steve Harmon's false accessory to felony murder accusation, and the anxiety and desperation experienced by him during incarceration and the corresponding trial.
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.