‘RUSTIN’: "Unsung" Is An Understatement
“Unsung” does not begin to describe the obscurity Bayard Rustin endured in the shadows of the Civil Rights Movement

“Unsung” does not begin to describe the obscurity Bayard Rustin endured in the shadows of the Civil Rights Movement
2026 ranks highest in Oscars history for its representation of minorities in all categories, and that’s definitely something to be celebrated.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
You can’t talk to my grandpa about The Sopranos. You can’t talk to him about The Godfather either. Merely by bringing up the subject, you’d be treated to a lecture on how movies and TV want you to believe that all Italians are criminals and mobsters. He won’t watch any of it, in protest.
Two Korean sisters must save their family after a ghost tears the family apart.
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.