Parasite and Capitalism: What the Film Says About the Pursuit of Wealth
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.

This unconventional dance film depicts the struggles of two middle-aged men competing in a dance contest and the people who warmly support them. Numata, a restaurant manager whose only talent is nunchucks, a hobby he had since childhood, is invited to dance classes by a woman he met at a matchmaking party. He is then provoked by his instructor into entering a dance contest. Meanwhile, Numata is captivated by the soul dance performed at a live show by Soma, a man struggling to keep his band afloat, and asks Soma to take him on as an apprentice. The two form a duo and decide to compete in the dance contest.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
John Walker is named the new Captain America and The Flagsmashers run amok.
The Super Mario Galaxy Movie comes on the heels of its billion-dollar grossing predecessor, and seeks to do absolutely nothing other than repeat its success. In this, the film is eminently effective. If you have seen the previous film, you can expect something extremely similar in this package. That is, a barrage of references to Nintendo intellectual property wrapped in a plot that provides the thinnest layer of emotional payoff for the characters.
In Deaf, the Spanish director Eva Libertad explores pregnancy and motherhood from the perspective of a deaf woman. Her movie examines how the world imposes the notion of disability on her main character while she actually does not feel disabled herself.
Peppered with whimsical humor, heartbreaking realizations, and heartwarming discoveries, The Incomer is surprisingly endearing through and through.