No ‘Prey’ to be Found Here
A new chapter for the Predator Franchise, Prey(2022), brings an action-packed film of two hunters going against one another to prove their worth in the hunt.

Social media influencer Carol (Giorgia Faraoni) and her partner Roberta (Jade Pirovano) are looking forward to their long-awaited, romantic vacation in Southeast Asia. Having arrived on the paradise island of their dreams, the two are in the mood for an adventure. They spontaneously book a dive on a charter yacht. What they don't know is that the captain (Daniel Franchi), who initially seems quite charming, is a psychopath and has dark plans for the couple. It doesn't take long before he leaves the resolute Carol in an underwater cave with only limited oxygen and sharks that are already threateningly approaching, obviously extremely aggressive and hungry. Roberta, meanwhile, is locked in a cabin on the boat. Desperate and not knowing how the other is doing, they must try to escape their dangerous situation in order to somehow survive.
A new chapter for the Predator Franchise, Prey(2022), brings an action-packed film of two hunters going against one another to prove their worth in the hunt.
I was able to watch the gleefully mesmerizing Disney remake that was Robert Zemeckis’ Pinocchio. I was enthralled by Zemeckis’ iteration.
In Stowaway, director Joe Penna narrates the story of a starship crew (Anna Kendrick as Zoe Levenson; Toni Collette as Marina Barnett; and Daniel Dae Kim as David Kim) struggling with serious technical problems on a two-year mission to Mars. During the trip, they discover aboard the presence of Michael (Shamier Anderson), a stowaway who jeopardizes everyone’s life on board.
"Ladies First" has a fundamental misunderstanding of what's feminine because of the patriarchy and what women do because they genuinely enjoy it.
Carolina Caroline follows Caroline (Samara Weaving), a bored young woman dreaming of escaping a small Texas town where nothing ever happens. When she meets Oliver (Kyle Gallner) at her workplace while he is conning the owner, she sees her perfect opportunity to get out. Their whirlwind romance strongly echoes Bonnie and Clyde, as the two quickly embark on a bank-robbing spree.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.