Gods of Mexico, an Artistic Triumph that Eschews Narrative
The documentary depicts the indigenous people of Mexico with sublime reverence, highlighting a generational harmony with the land.

The Falklands/Malvinas War has proved a powerful motif in contemporary Argentine film-making and Ramiro Longo's new documentary offers a unique take on the conflict and its pervasive legacy. While Argentina suffered 649 casualties during the War, subsequently over 350 ex-servicemen have committed suicide while attempting to come to terms with civilian life in the aftermath of the 1982 defeat. Longo's film is structured around an extended interview with War veteran Sergio Delgado who provides a moving testimony on the conflict and the ways in which it has subsequently haunted his life and aspirations. As much an insider's view of the conflict as a tale of the legacy of trauma, Not Really Ours offers a reflection on memory, fear and the shaping of a nation's psyche. Longo's deft editing juxtaposes telling footage alongside Delgado's story. The result is both a moving tapestry of war and its scars and a telling reflection on the ways in which official history is constructed.
The documentary depicts the indigenous people of Mexico with sublime reverence, highlighting a generational harmony with the land.
A chilling return to the Final Destination franchise with a terrifying twist on fate. Bloodlines explores whether Death can hold a grudge across generations—and what happens when the past won't stay buried.
Rather than following in the footsteps of poorly made horror flicks, “The Quiet Place” follows original concept.
Starring Jake Gyllenhall and Yahya Abdul-Mateen II, 'Ambulance' is a film not only about a bank heist gone wrong, but also about brotherhood.
Hiring bias is something that's rampant in all industries (even unconscious bias). But writing a script totally neutral not only opens the door for more diverse actors, but also for characters that are people first.