Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
No One Sleeps poster

No One Sleeps (2000)

Stefan, a young gay East German medical student, arrives in San Francisco for a medical congress and is following the trail of his dead father, a once high ranking AIDS researcher in the East. Stefan is investigating whether the HIV virus was an incremental result of secret human experiments that were conducted in US prisons in the seventies - a thesis of the Berlin professor, Jakob Segal, which was spread by state agents of former East Germany. At the same time, a serial killer is haunting the gay bars of the city and is killing HIV positive long-term survivors.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Stefan, a young gay East German medical student, arrives in San Francisco for a medical congress and is following the trail of his dead father, a once high ranking AIDS researcher in the East. Stefan is investigating whether the HIV virus was an incremental result of secret human experiments that were conducted in US prisons in the seventies - a thesis of the Berlin professor, Jakob Segal, which was spread by state agents of former East Germany. At the same time, a serial killer is haunting the gay bars of the city and is killing HIV positive long-term survivors.

Rating:R
Genre:Drama, Romance, Mystery, Horror
Directed By:Jochen Hick
Written By:Jochen Hick
In Theaters:6/19/2000
Box Office:

Runtime:108 minutes
Studio:Filmstiftung Nordrhein-Westfalen, WDR

Articles You May Like


"Him" (2025) Film Review-The realities of making the grade in professional sports gets a cultism-driven, horror film makeover

"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.

Kirk Fernwood