'Spiderhead': Netflix's Newest Underwhelming High-Concept Sci-fi Thriller
'Spiderhead' is Netflix's latest high high-concept Sci-fi offering in the acts of Chris Hemsworth, Miles Teller, Jurnee Smollett, and Mark Paguio

Nie Xiaoqian was betrayed and died with hatred. She turned into a ghost after death and was imprisoned in Lanruo Temple. Ning Sheng went to Capital to take examination and stayed here, and accidentally saved Xiaoqian.
'Spiderhead' is Netflix's latest high high-concept Sci-fi offering in the acts of Chris Hemsworth, Miles Teller, Jurnee Smollett, and Mark Paguio
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.
In Amazon’s new shark flick, The Devil’s Mouth, terrible tourists finally get their comeuppance while two estranged best friends must overcome their petty squabbles to survive as the rest of their party gets chomped one by one. While it’s by no means an Oscar winner, The Devil’s Mouth is good old fashioned shark week carnage with a tourist critical twist, perfect with popcorn, a friend, and a healthy does of schadenfreude.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
A fun-loving story focused on surviving middle school and tailor-made for its target audience. "The Diary of a Wimpy Kid" follows the paradox of finding true friendship and securing popularity no matter what it takes.