New Desk 

This horror, action, and fantasy movie released on Disney+ has a symbolic aspect.

Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

The film basically says she was a lost cause from the start. We don't get a sense of who Marilyn was.

"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.

‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.

Curry Barker’s film, Obsession, soars in success this past May leaving everyone who has watched it in extreme chills and disturbance. And taking it to new levels of why men are always the root of horror films even when they try not to be.