Juan returns to Cape Town with his family from their life in England when he discovers his mother is dying. She insists she wants her conflicted son to reconcile with his alcoholic dad, but all the younger man remembers of his childhood is disappointment and shame and although he wants to be with his mother he intensely dislikes his father, though it's probably more a case of Juan hating who he is himself, because of his father.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
It is a truth universally acknowledged that a single woman will be happiest if she marries a man with a good fortune, similar upbringing, matching attractiveness levels, and compatible politics.
A trouble-making teenager spends the summer working at a Southern California beach learning about responsibility.
A simple question often sparks intense debate. Incluvie attempts a working definition for the beloved horror genre.
The sequel following The Son of Bigfoot explores Adam's conflict of discovering his true identity as he tries to save a wildlife preserve.
Ralph and Vanellope unpack lots of surprises for those who love going on the Internet.
