Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Munchausen poster

Munchausen (2013)

A mother, unable to confront the heartbreak of her son leaving for college, delays his departure by making him sick. Unfortunately, she goes too far.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


A mother, unable to confront the heartbreak of her son leaving for college, delays his departure by making him sick. Unfortunately, she goes too far.

Rating:
Genre:Drama, Comedy, Horror
Directed By:Ari Aster
Written By:Ari Aster
In Theaters:9/19/2013
Box Office:

Runtime:17 minutes
Studio:Invicta Films, Fondo de Promocion al Cine de Nuevo Leon (Promocine), Faux Beef

Articles You May Like


"She’s Gotta Have It” was Ahead of the Curve in Portrayal of Female Sexuality

In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.

Andrea Amoroso

"First Girl I Loved": A Well-Intended but Ultimately Flawed Story of Identity

Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian. 

Marisa Jones