
Teo Hernandez films waste and scrap found on the pavements of the streets of Paris. “Sidewalks are great subjects: garbage, objects and materials, stains, signs, are a movie subject.”
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.
"Come Play" was entertaining and had some great ideas about how to scare children away from playing with facial recognition settings.
Emily Henry’s adaptation reaches romance movie standards, but not romance reader standards.
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.
Han's turn to villainy in 'Frozen' was foreshadowed cleverly in the story.