‘Little Boxes’ Had Good Intentions, But...
In 'Little Boxes," an interracial family moves to an all-white town where they face the judgement of others who have never been exposed to people of color before.

A little girl's voice weaves us through the melancholic minds of Clifford and Chun Li, two strangers sharing a park bench. We follow their naive non-sequiturs, surreal sequiturs, memories and dreams. We dance back and forth through the whimsy of their minds and quirks of their lives which prove to be off-beat, as we are whisked through images of a zoo fresh out of pandas, a head gift-wrapped in a map of Wisconsin, a ziplock bag containing sadness, revengeful hamsters and a robot father playing football with his robot son. Eventually their thoughts become intertwined, and they realize they are not alone, giving them the courage to finally turn to each other and say hello.
In 'Little Boxes," an interracial family moves to an all-white town where they face the judgement of others who have never been exposed to people of color before.
How powerful can a story be when it is stripped to the bare essentials of just a room, a handful of people and raw human voice?
I imagine that it would be a dream job for an actor to play the parts of twin brothers Dominick and Thomas Birdsey in I Know This Much Is True.
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.
Trolls: World Tour doesn’t just pay lip service to diversity and inclusiveness. There is no white-washing of the voice actors. From the actual K-Pop group Red Velvet voicing the K-Pop Troll bounty hunters to Keenan Thompson playing the Tiny Diamond baby to Kunal Nayyar’s Guy Diamond, the cast includes more than just token minorities.