Malcolm X (1992)

Looking for some Afro-centric entertainment? Check out these movies and immerse yourself in Black culture. This is just a sampling from one Blerds perspective.

Black Panther - This is a significant achievement in cinema as well as in the superhero genre. Featuring an up-and-coming African-American writer/director Ryan Coogler and a predominately African-American cast. The costumes, soundtrack and production design captured the imagination of an Afrofuturistic world.

Who We Are - There are a plethora of documentaries that chronicle the journey of the African-American diaspora. 'Eyes On The Prize' is typically the go to offering. While it's comprehensive in its information it is dated in its production. 'Who We Are' is a more modern project with a singular perspective. With eyewitness accounts and civil rights artifacts, it delves into the history of racism from an academic perspective. Presented by lawyer Jeffrey Robinson, it provides new and evocative data.

As I type this, Chris Evans is being “cancelled” on Twitter. I did a little research on this since I always thought Chris Evans was well-received. It turns out the backlash is because of a white savior movie he made called Red Sea Diving Resort. According to Wikipedia, this film “is a 2019 spy thriller film written and directed by Gideon Raff. The film stars Chris Evans as an Israeli Mossad agent who runs a covert operation that helps Ethiopian-Jewish refugees escape to safe haven in Israel.” The description goes on to say the film is based on historical events, and politically divisive.

This is important, but not new. Because of the current state of the world, politics are unavoidable more than ever, and movies are no exception. Movies that are set in real historical or political scenes are scrutinized to be historically accurate, or at the very least, not rewritten to make sure the good guys are White and…guys. I became curious about what information is being presented to audiences about about politics and politicians. I am distinguishing between political movies and movies about politics. One might argue that all movies have some political agenda, but I wanted to research the movies about political figures. While, as of the latest elections, there were steps made toward a more diverse group of civic leaders, but that is not always represented on the big screen. It might be hard for voters to support any possible politician that is not White and/or male because of the representation of politicians in their media consumption.

(Note: This article was originally publiched by Mick Cohen-Carroll on Medium in June 2020. For current information about the state of the racial justice movement in America, I recommend reading updates about Derek Chauvin's trial, this interview with Kentucky's Rep. Attica Scott about the ongoing imapct of Breonna Taylor's murder, this update about the shooting of Jacob Blake, and this analysis of the scope of Black Lives Matter protests.)

Hollywood loves to jump on current events, especially those with big socio-political ramifications. There have been timely movies about pretty much every news-worthy incident since WWI. However, stories about race or racial injustice are often eclipsed or buried under other tragic events. So, through the films they produce and finance, how will Hollywood react to the current status quo? It’d be interesting to discover their approach in the wake of the George Floyd protests (which are largely peaceful) and the call to action for anti-racism. There are two things to consider. The first is that Hollywood, after all, is a business and the second is that Hollywood might not be as socially liberal as the right-wing claims.

Though there is room for art, and you must be creative to make a film, the movie industry is, after all, just that: an industry. And in an industry, the primary goal is to make money. If it’s art, great, but that is not the end goal. Artistry is the byproduct. That is why people like Martin Scorsese call the Marvel movies “theme parks” and not cinema. He makes the distinction that cinema is (by his definition) more daring, unexpected, honest and artistic.

So while “cinema” (used in the Scorsesian sense) does exist, the rise in blockbuster movies with high budgets and explosively high box office returns shows that Hollywood is primarily interested in making money. That is why it attracts people to become top execs and producers, like Steve Mnuchin, the current Secretary of the Treasury. Hard to believe that the ex-Goldman Sachs investment banker was in it for the art or the love of cinema.