A film in two episodes. A psychiatrist, forced to pose as a priest because he's being unfairly hounded by the tax authorities, falls in love with the beautiful Angela. In the second episode, an ambassador studies how to become a real lout and seduce a genuine Roman fishmonger.
An uncomplicated, family-oriented man struggles to adjust to an ever-changing world, especially after suffering a loss. Even for the early 1900s, a less complicated time in many ways than now, Robert Grainier (Joel Edgerton) is a simple man.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
An action film led by two queens, fighting for what they believe in through power and pain.
Izzy and Prince Thomas learn that taking control of their own destiny requires following their hearts and making their own decisions.
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.
In 'Maestro,' we're left with an impression but not with an understanding of the main character.
