The River Emajõgi forms a powerful water world hiding an ancient life. Little Aleksander together with his filmmaker father Remek Meel discovers Alam-Pedja nature reserve and the secrets of its enchanting world. Father and son get acquainted with the hidden life of eagles, beavers, otters, waxwings, great snipes, ravens, penduline tits and Ural owls.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.
Emily Henry’s adaptation reaches romance movie standards, but not romance reader standards.
Rare in the days of franchise sequels and indie horror films that dominate the screen in 2026, Netflix’s latest original release, Remarkably Bright Creatures, is a feel-good family movie that leaves nothing to be desired except tissues. Starring Sally Field and Lewis Pullman as two cleaners at a small-town aquarium, Remarkably Bright Creatures reminds viewers that humans are social animals whose strength comes not from our intelligence or our opposable thumbs, but from each other.
I can say without question, that this is the first movie I’ve ever seen where art imitates life so much that I could 100% identify with it on a personal level. The predominately Black cast of characters are people with hopes, dreams, fears, and ambitions.
A 3D animated film centered on chasing fame in the humble stomping grounds of middle school. Unfortunately, while the protagonist dreams big, the plot falls short and fails to capture even a semblance of diversity.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
