Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

The Portrait of Drag Queen Lala Kolopi and Giorgos, the person behind her. A journey into the dazzling world of drag shows, through Giorgos’ story of his path from discovering the persona to her rise as a symbol of freedom, self-expression, and creativity.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
A recent look at gender and racial diversity in film shows some signs of progress. However, white men still make up the vast majority of actors and directors in top-grossing films.
The iconic title character stars in her own horror and gothic TV series.
If you are a discerning movie watcher and/or an African-American with a modicum of Black consciousness, this film isn’t for you. It would be better to watch the documentary ‘They Fight’ to see the impactful, emotional story of Walter Manigan and the young men of DC’s Ward 8.
Frozen II is not quite direct to DVD Disney sequel level, but if it wasn’t for the spellbinding animation and budget, it certainly would be.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.