In Stowaway, director Joe Penna narrates the story of a starship crew (Anna Kendrick as Zoe Levenson; Toni Collette as Marina Barnett; and Daniel Dae Kim as David Kim) struggling with serious technical problems on a two-year mission to Mars. During the trip, they discover aboard the presence of Michael (Shamier Anderson), a stowaway who jeopardizes everyone’s life on board.
After debuting with the peaceful, slow burner Arctic (2018), director Joe Penna brings to us his new production, Stowaway (2021). It seems that the Brazilian filmmaker has a predilection for the survival genre.
In Stowaway, he narrates the story of a starship crew (Anna Kendrick as Zoe Levenson; Toni Collette as Marina Barnett; and Daniel Dae Kim as David Kim) struggling with serious technical problems on a two-year mission to Mars. During the trip, they discover aboard the presence of Michael (Shamier Anderson), a stowaway who jeopardizes everyone’s life on board. Due to a lack of resources, the only possible solution is to sacrifice the stowaway. Other way, the whole mission would be compromised, and all the crew would die.
In this sense, the movie is like other pseudo-scientifical productions released over the last decade. For instance: Gravity (Alfonso Cuarón, 2013), which talks about outer space survival too; Arrival (Denis Villeneuve, 2016), where the most interesting thing is how they address the issue of communication between humans and an extra-terrestrial civilization; and The Martian (Ridley Scott, 2015), existing a strong resemblance between this one and Stowaway, especially in the part where we can see different scientists realistically doing very specific lab work.
After starting with one of the most successfully spaceship takeoff shot I can remember, the action rapidly puts the spectator in outer space. It seems that Penna knows how to use the silence and characteristic deep space quietness in some scenes to transmit distress and mystery. Right after it, he introduces the crew to us; we can see that they are scientists, not superhumans, and they have their flaws, just like everyone else. For example, David, the biologist, suffers from vertigo, and Marina, the ship commander, gets anxious when she must deal with some unforeseen problems.
However, the real action starts with the discovery of the stowaway. In that moment, when the technical issues start, they are forced to take a decision, and it is not an easy one. What would you do if your lifetime work would be jeopardized by the presence of one individual? What if all your partners’ lives would be endangered due to the presence of one stowaway? This dilemma will become the scientists’ burden until the end of the movie.
Although being based on the science fiction short story “The Cold Equations”, written by Tom Godwin in 1954, the two stories are very different. Nonetheless, the premise remains the same: people trying to save a human life, even if it is almost impossible. This philosophical approach is very interesting, and it make us think about this issue. Are we prepared to kill someone to save something bigger or more important?
I would not like to over-read the whole story and bring some exaggerated conclusions. Nonetheless, the only thing I must say is that a multidisciplinary and diverse crew is depicted in this movie, and there is not a single origin or gender-related commentary or aspect in the whole script. David is Asian, the ship commander a woman, and the stowaway is African American, but everything in this movie is about human relationships. That is why I think the storytelling achieves its objective from the diverse point of view.
Finally, I give the film both an Incluvie and an overall score of 4.
Stowaway is available to stream on Netflix.