What Kind of Movies Will Come from the Current Anti-Racism Movement?
Given Hollywood's history of racism and financial motivations, how much progress can we expect? Plus: a list of excellent films by Black directors.

‘Lagareh’ – which translates from the Mandinka language as ‘The Last Born’ – is a work anchored around theories of abolition, rebellion, ancestral knowledge and love. Shot in Scotland, England, Barbados, Sierra Leone and Italy, the film melds a collection of scenes that give focus to the strength of contemporary Black womxn, whose individual acts of resistance are bound together through the artist’s conceptual storytelling. The artist situates Black love in proximity with historical sites of trauma, re-inscribed with rage, hope and exhaustion. Gestures, rituals and moments of intimacy are poignantly underpinned by a deep reflection on grief, loss and mourning, a resolute reminder of the trauma inflicted upon the Black body and of white privilege and power.
Given Hollywood's history of racism and financial motivations, how much progress can we expect? Plus: a list of excellent films by Black directors.
'Ms. Davis’ Close Friend' will make you think about the meaning of death and what it means to be alive, and if there’s really a race to be run with one's inevitable demise.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.
'The Last Black Man in San Francisco' is part fiction, part documentary. Jimmie longs for the old Victorian home that he grew up in — the house that his grandfather built. However, this home is now in an overpriced, White, San Francisco neighborhood.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.