Parasite and Capitalism: What the Film Says About the Pursuit of Wealth
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.

Okatsu is a widow raising five children - adults but still mama-dependent - in mid-eighteenth century Edo, Japan. Her frugality attracts unflattering comment even amid national tough times (the region is in famine) What Okatsu tells no one is that she saves so that a friend can start his own business once he's released from prison.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.
This coming-of-age movie based on the 1970 book by Judy Blume gives viewers a scope on female topics in the quest for a religious identity.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
That gut-wrenching feeling you have while watching it is okay but needed, and you, the viewer, will be okay.
Haven't you heard? There's a new horror subgenre: cerebral gore, that's probably been around for decades and we're now just starting to talk about it.