Everyone’s Welcome in IT: Welcome to Derry
It: Welcome to Derry proves you can have rich representation, real humanity, and still fully enjoy Pennywise terrifying kids in sewers.

Del, a workaholic struggling with her mental health, wants to escape the numbness consuming her. Despite being surrounded by people, she feels alone and is more comfortable navigating London at night. After experiencing an attempted assault by her colleague, she has a chance encounter with Sami, a homeless undocumented man from Nigeria. Del begins to question what she stands for and starts to come to terms with her own immigrant roots. But hostility and distrust are never far away, and Del is forced to question how she can really help Sami when she is just as lost herself.
It: Welcome to Derry proves you can have rich representation, real humanity, and still fully enjoy Pennywise terrifying kids in sewers.
Wes Anderson offers a light-hearted comedy in the Middle East centering around Catholic motifs.
The idea of Rosemary's baby but with lesbian partners drew me in, and I was anticipating what the film had in store with its reimagining. Unfortunately, it all felt a little too vague to leave an impact.
Korean culture shines in this Canadian export.
The way Jeannette has to deal with child neglect makes her insecure about her parents and how she was brought up and raised in the United States. This continues into adulthood, where Jeannette becomes a successful journalist and is frequently asked about her parents by others.
Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.