"WandaVision" Premiere: Welcome to Phase 4 of the MCU
WandaVision is already proving to be a huge success.

Following his four-month sabbatical in Cambodia, we find Johnny broke and couch-surfing in Brooklyn, musing on his experience in the Far East, where he gambled his money away and found himself stranded in Phnom Penh, forced to claim destitution at the U.S. Embassy, with suicidal visions of leaping off of a bridge into the Mekong River. NOTES FROM THE DUMPSTER is the continuing saga of this oddball's journey.
WandaVision is already proving to be a huge success.
Given Hollywood's history of racism and financial motivations, how much progress can we expect? Plus: a list of excellent films by Black directors.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.