Mitesh Meghani a family man, attempts to buy back their love through a scheme of conning an old man and getting him to transfer his property in his name.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
Despite its aggressiveness, the Beef anthology series is about romantic love in all its forms. The final scene of the first season led us to believe that, despite the conflict, drama, and toxic traits, the main characters would end up together and, most likely, live happily ever after. The whole “beef” plot was the prelude to their love story.
Emily Henry’s adaptation reaches romance movie standards, but not romance reader standards.
A smashing sequel to the first Sonic the Hedgehog film that also brings back elements from the popular video game series.
"The Platform" is horror and science fiction film doubling as a visual commentary on capitalism and economic inequality. The movie is not for the faint of heart nor the viewer hoping for political neutrality in their film's depth.
Mala tripped over in a company Diwali party, which led to unexpected visits and realizations.
