Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Jews and Money: Investigation of a Myth poster

Jews and Money: Investigation of a Myth (2013)

Filmmaker Lewis Cohen intelligently explores the origins and evolution of the myth of the wealthy Jew. In 2006, Ilan Halimi, a French Jewish salesman is lured to the outskirts of Paris where he is kidnapped and later murdered by criminal gang who had demanded a half-million euro ransom on the assumption that 'all Jews are rich'. Jews & Money is a probe into the myth about Jews, and where and when it took root. Why is the Jew so often cast as the banker or trader, pawnbroker or movie mogul? Of all the medieval moneylenders, why is only Shylock remembered? How did the Rothschilds become the symbols of international capitalism? And why does a simple cell phone salesman get pegged as rich, and die for it?
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Filmmaker Lewis Cohen intelligently explores the origins and evolution of the myth of the wealthy Jew. In 2006, Ilan Halimi, a French Jewish salesman is lured to the outskirts of Paris where he is kidnapped and later murdered by criminal gang who had demanded a half-million euro ransom on the assumption that 'all Jews are rich'. Jews & Money is a probe into the myth about Jews, and where and when it took root. Why is the Jew so often cast as the banker or trader, pawnbroker or movie mogul? Of all the medieval moneylenders, why is only Shylock remembered? How did the Rothschilds become the symbols of international capitalism? And why does a simple cell phone salesman get pegged as rich, and die for it?

Rating:
Genre:Documentary
Directed By:Lewis Cohen
Written By:Lewis Cohen
In Theaters:2/1/2013
Box Office:

Runtime:90 minutes
Studio:

Articles You May Like


"The Father" is a Depressing But Insightful Look at Dementia

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.

Matt Geiger