Living People in "It Was Just an Accident"
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.

Taiwan crisis, 1990s. The undead are wreaking havoc on the shore. A paranoia-infused, zombie-filled military thriller. Smells like… soldier brains?
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.
We're in the midst of July, the month in which Americans are supposed to be at their most patriotic! With barbecues, beach trips, and fireworks galore, this is the month where we celebrate our country. For Incluvie, that primarily means diving into the wonderful "melting pot" of the diversity of American film! In between celebrating and feasting, it's important to remember the very basis this country is founded on: "liberty and justice for all."
A review of the Ryan Polomski documentary featuring the story of Basketball star Raymond Lewis.
As Andrew’s life begins to change, his passion for drumming soon becomes a spiraling obsession in the pursuit of perfection. Through the use of disturbing and abusive training methods, Fletcher puts Andrew through emotional and physical agony.
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.