Monster (2023): When the Truth Is Not in the Telling but in the Seeing
Not every silence is empty. Some are filled with things too heavy for words.

As the actress arrived, everything about the movie, about the life of director and actress, and about the affection between professor and his student, were revealed and punctured one after another. In the hazy fuzzy afternoon, there is nothing left on the dining table outside the cabin but four-cornered souls; the bandit in the director's movie was also beset in the bank as a trapped beast.
Not every silence is empty. Some are filled with things too heavy for words.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
Diversity is incorporated in a way that only aids in a well-rounded conveying of stories through different lenses. The show’s success is a testament to what audiences are craving: authentic stories that broaden the mind and heart.
'The Lost Daughter' doesn't paint over the choices Leda and Nina make as mothers as right or wrong but examines the messy in-between.
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.
Desi Arnaz was an innovator in television and Lucille Ball was a sketch comedy clairvoyant of sorts; 'Being the Ricardos' focuses on their genius as a couple, but shies away from the interracial aspect of their marriage.