Entitlement and the Food Industry in 'The Menu'
'The Menu' has a strong story. The 5 acts, which are defined by the courses, are an excellent subversion of the classic 5-act film structure.

There is a civil war in Central Asia. Bai-rapist kills the whole family of a Turkmen young man, the shepherd Chara Esenov. The surviving Chara, avenging the scolded honor of her young sister, single-handedly pursues Shamurad Khan, the head of the local Basmachi gang. Acquaintance with the Red Army soldier clarifies the meaning of the fight to the hero of the film, he adjoins the Red Guard, opposing the Basmachi, and, giving up personal revenge, once leads Shamurad into a detachment for a legal trial ...
'The Menu' has a strong story. The 5 acts, which are defined by the courses, are an excellent subversion of the classic 5-act film structure.
Neo Sora left a realistic and yet hopeful notion for the near future and the now.
The film illustrates the life of a single who struggles to provide an ideal childhood for her two daughters.
Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian.
You can’t talk to my grandpa about The Sopranos. You can’t talk to him about The Godfather either. Merely by bringing up the subject, you’d be treated to a lecture on how movies and TV want you to believe that all Italians are criminals and mobsters. He won’t watch any of it, in protest.
I hope that more people will see Joyland, understand the situation, and eventually change themselves and society so we can have a more accommodating world where everyday tragedies like the one depicted in the film do not occur.