The OBIE-winning collision of Gertrude Stein's Doctor Faustus Lights the Lights with Joseph Mawra's B-movie classic, Olga's House of Shame.
CODA' is about a child of deaf adults torn between staying with her parents and her dreams of pursuing music. This film is a step forward for deaf representation and disability in movies despite negative messages about the burden of actors deaf deafness.
The Invite is witty, dramatic, funny, and probably the best comedy released this year so far.
The 'Shaft' remake fails to capture blaxpoitation's rebellious spirit.
Like most young people, Leviticus is imperfect. But I love it anyways.
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
