Discovering Self-Identity in Santa Girl
One young woman with an unusual background tries to find and establish herself in the real world, which isn't exactly as festive as she hoped it would be.

A trilogy of horror stories that begins with a crazy musician who has trouble composing his latest song. His lack of concentration on his work leads to the accidental conjuring of an evil spirit. The second story concerns a couple who go to a pool hall for a night of fun. While there, they meet a friendly guy named David who invites them back to his place for a private party where he has other bloody plans. The final story is about a girl who comes home from work to find a mysterious package on her doorstep. Upon opening it, she finds a creepy ventriloquist dummy that seems to have a life of its own and a liking for blood.
One young woman with an unusual background tries to find and establish herself in the real world, which isn't exactly as festive as she hoped it would be.
I highly recommend Dark Waters. It’s a highly engrossing picture, which lends itself to cautionary storytelling. The dark information continually grows, inspiring change and accountability altogether. Overall, Haynes’ picture will not be known for its inclusiveness--but it will be known for being a fantastic, engrossing film.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
For one widowed father and his five kids, an extraordinary gift will change their lives forever.
After the 2018 surprising hit "A Quiet Place" brought something fresh to the horror genre, the announcement of a sequel may have been disappointing to some. A lot of the time, a sequel to an already successful movie is no where near as good as the original. Yet, John Krasinski once again shows that he's much more than Jim from The Office.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.