In "Harrie Babba," we see Harrie Vermeulen once again in a contemporary absurd comedy of Jon van Eerd's New Genre. In "Harrie Babba," Harrie Vermeulen finds himself in quite a predicament as he emerges from the lamp as a genie. Harrie is tossed back and forth between hilarious misunderstandings and uproarious complications. With his riotous antics, unique timing, and unrivaled humor, Jon van Eerd, as always, manages to blow the roof off the theater.
Monster's plot is built around Steve Harmon's false accessory to felony murder accusation, and the anxiety and desperation experienced by him during incarceration and the corresponding trial.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
As an Indian lesbian living in the United Kingdom, the cards are stacked against Geetika from the start.
'Jungle Cruise' is fun if you can ignore the racism of the ride it’s based on and the film’s bland, stereotypical characters.
David Fincher is back in his playpen, with a dark and chilling thriller.
