Laggies: Lynn Shelton’s Film Blends a Coming-of-Age Story With a Quarter-Life Crisis
Laggies is a fantastic movie, filled with down-to-earth characters, transcendent themes, and witty comedy

Ciro is a quiet and respectful young guaquero that despite his young age and his little experience becomes one of the best and most outstanding of the coffee region in Colombia. Ciro is hired by Oliver, an English adventurer man, ambitious and who goes by the world looking for luck and trying to hunt fortunes. Obsessed with a large guaca to keep filling his pockets, he plunges into the jungle of Quindío with Ciro. What they don't know or can come to what can be found in their path, through a journey in which the jungle, mysticism, tradition and ambition overflowed playing an unexpected trick.
Laggies is a fantastic movie, filled with down-to-earth characters, transcendent themes, and witty comedy
Two Summers ago, on May 27th, 2022, the theatrical cinematic realms were re-awakened from their post-COVID dormant state of being by a little film titled "Top Gun: Maverick". It re-introduced us to the absolute elation of seeing not only a highly anticipated (and, granted, 36 years in the making!) sequel, but the return of the quintessential Summer blockbuster to witness on the BIG screen again.
A young woman finds herself trapped in a crossfire of awkwardness during a nightmarish dinner party with her boyfriend's dysfunctional family.
The sequel to the 2010 live-action movie focuses on sibling rivalry.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.