Good to Go (1986)

Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.

‘Oppenheimer’ is a force to be reckoned with. A biopic that respects the audience’s intelligence.

There’s no two ways about it — Bridgerton is horny. Shondaland’s newest venture- released on Netflix on Christmas- is certainly a spectacle to behold, just as the premise; essentially an Austenian, Regency-Era Gossip Girl, helmed by Shonda Rhimes, the reigning queen of steamy romance television. It would not be inaccurate to describe it as Jane Austen porn.

As a musical fan, I enjoyed the film and encourage anyone who likes dark humour and a bit of blood to give it a watch.

A cat-and-mouse chase that will make viewers nostalgic for the cartoon series.

'The Invisible Man' triumphs in tension even as it drops the ball on genuine surprise for the audience.