Guillermo del Toro's Pinocchio
During the rise of fascism in Mussolini's Italy, a wooden boy brought magically to life struggles to live up to his father's expectations.
Fragmentos
"It is impossible to conceive of 'seeing and hearing' reality as it unfolds from more than one visual angle: and this visual angle is always that of a subject who sees and hears. This subject is a subject of flesh and blood. Because if we also choose an ideal point of view in a fictional film, and therefore one that is in a certain sense abstract and non-naturalistic, it becomes realistic and even naturalistic from the moment we place a camera and a tape recorder at that point of view: it will be something seen and heard by a subject of flesh and blood—that is, with eyes and ears." - Pier Paolo Pasolini, "Lutheran Letters."
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"It is impossible to conceive of 'seeing and hearing' reality as it unfolds from more than one visual angle: and this visual angle is always that of a subject who sees and hears. This subject is a subject of flesh and blood. Because if we also choose an ideal point of view in a fictional film, and therefore one that is in a certain sense abstract and non-naturalistic, it becomes realistic and even naturalistic from the moment we place a camera and a tape recorder at that point of view: it will be something seen and heard by a subject of flesh and blood—that is, with eyes and ears." - Pier Paolo Pasolini, "Lutheran Letters."
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