
"It is impossible to conceive of 'seeing and hearing' reality as it unfolds from more than one visual angle: and this visual angle is always that of a subject who sees and hears. This subject is a subject of flesh and blood. Because if we also choose an ideal point of view in a fictional film, and therefore one that is in a certain sense abstract and non-naturalistic, it becomes realistic and even naturalistic from the moment we place a camera and a tape recorder at that point of view: it will be something seen and heard by a subject of flesh and blood—that is, with eyes and ears." - Pier Paolo Pasolini, "Lutheran Letters."
Baggage’s experimental mixed formats visualized a woman’s brave inner journey of visiting the museum of her fragmented memories.
Though 'Bound' technically falls under the genres of crime and thriller, the film's heart is a romance between two women.
Acutely funny and always well-intentioned, Last Week Tonight has a lot of heart for a satirical-news program.
When most of us think about diversity in film, we usually think about three things: race, gender, and disabilities. However, there is a forgotten topic... age. These are 12 of the best films about growing old.
The message to take away from 'Causeway' is that toxic masculinity can manifest in anyone, no matter what their gender identity is.