‘Pariah’: An Important and Untold Story of Identity
'Pariah' tells a powerful, mesmerizing, and unflinchingly honest story of identity.

Every person is born without conditioning. They are raised and taught who they are and who they should become. They’re expected to fit into an idealized mold of the perfect “boy” or “girl.” What happens when someone doesn’t fit that mold… Through interviews paired and poetic images Formless creates a portrait of the trans body. The film pairs sketched animations with live-action bodies to match and highlight differences in body shapes and to create a contrast between the “ideal” mold of a gendered body and the real bodies that trans and gender non-conforming people live in. It is an honest exploration of dysphoria, euphoria, and the molds that society offers. The body is a deeply personal thing to many trans people and this film explores the unique ways trans people experience their bodies in modern society; the liberation of stepping outside of those molds and the liberation of fitting within them.
'Pariah' tells a powerful, mesmerizing, and unflinchingly honest story of identity.
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
The biggest highlight of the film is easily the performance of Andrew Garfield. In his days since hanging up his Spiderman suit, Garfield has routinely churned out great performances, and Mainstream is no exception. He proves that he is willing to try anything and go anywhere in a character.
Who knew a drunken game of truth or dare could launch one of the most chaotic rom-coms of the year? The Threesome takes Connor’s fantasy night with Olivia (Zoey Deutch, in peak queen-of-indie form) and Jenny (Ruby Cruz) and flips it into a deliciously messy nightmare when both women end up pregnant. What follows isn’t cheap comedy—it’s a whip-smart, heartfelt exploration of love, consequence, and the beautiful disasters we call adulthood.
I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.
Based on the best-selling novel by Angie Thomas and a maxim of the late Tupac Shakur.