What We Do in the Shadows (of Our Closet Walls)
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.

Short documentary about the "filetagem" style of painting in São Paulo. Produced for the 2025-2026 exhibition "Letras & Filetes: Memória Afetiva e Latinidades".
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
Swapped combines comedy, adventure and emotional growth while delivering one of the biggest plot twists in animation history.
As a huge fan of Sean Baker’s Tangerine, The Florida Project, and Red Rocket, I’ve wanted to watch Anora since before it even was released. But life got in the way, my watchlist grew, and honestly, the fact that it was marketed as a romantic comedy put me off. Even with all the critical praise and the five Academy Awards it won last year, I just kept postponing it indefinitely.
Zoe Saldaña is a CIA operative who leads a special program that recruits women to infiltrate and dismantle international criminal enterprises, with a QRT(Quick Response Team) providing operational security that shoots people and blows things up on a weekly basis.
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.
A lonely little Hawaiian girl and her mischievous blue alien friend form a bond that heals both of their hearts, as well as ours. This live action version adds emotional nuances—notably in the sisters’ dynamic—while preserving the charm of the original.